UPCOMING

Royal Albert Hall, London
BBC – Proms 2018
BBC Symphony Orchestra
Alisa Weilerstein, cello
Beethoven
Coriolan Overture
Shostakovich
Cello Concerto No.1
Andrew Norman
Spiral (UK Premiere)
Rachmaninoff
Symphonic Dances
Conductor
karina
canellakis
schedule

Season 2018/19

jul
Royal Albert Hall, London
BBC – Proms 2018
BBC Symphony Orchestra
Alisa Weilerstein, cello
Beethoven
Coriolan Overture
Shostakovich
Cello Concerto No.1
Andrew Norman
Spiral (UK Premiere)
Rachmaninoff
Symphonic Dances
aug
Festspielhaus Bregenz
Wiener Symphoniker
Benjamin Appl, baritone
Thomas Larcher
“Alle Tage”
Beethoven
Symphony No.5
sept
Jack Singer Concert Hall at Arts Commons
The 2018 Honens Piano Competition with the Calgary Philharmonic
Los Angeles
Los Angeles Philharmonic at the Hollywood Bowl
Los Angeles Philharmonic
Jean-Yves Thibaudet, piano
Julia Perry
“A Short Piece for Large Orchestra”
Bernstein
Symphony No.2, “The Age of Anxiety”
Brahms
Symphony No.2
The Marcus Center for the Performing Arts, Milwaukee
Milwaukee Symphony
Sunwook Kim, piano
L. BOULANGER
D'un soir triste
DVOŘÁK
Piano Concerto
Stravinsky
Le Sacre du Printemps
The Marcus Center for the Performing Arts, Milwaukee
Milwaukee Symphony
Sunwook Kim, piano
L. BOULANGER
D'un soir triste
DVOŘÁK
Piano Concerto
Stravinsky
Le Sacre du Printemps
oct
Oslo Concert Hall, Oslo
Oslo Philharmonic
Nikolaj Znaider - violin
Dvorak
The noon witch
Szymanowsky
Violin concerto no. 2
Rachmaninov
Symphonic dances
Royal Festival Hall, London
London Philharmonic Orchestra
Pierre-Laurent Aimard, piano
Sibelius
Pohjola’s Daughter
Dvořák
Piano Concerto
Bartók
Concerto for Orchestra
Konserthuset Stockholm
Royal Stockholm Philharmonic Orchestra
Nicola Benedetti, violin
STRAUSS
Die Frau ohne Schatten Symphonic Fantasy
Szymanowski
Violin Concerto no. 1
Dvořák
Symphony No. 7 in d minor, Op. 70
Konserthuset Stockholm
Royal Stockholm Philharmonic Orchestra
Nicola Benedetti, violin
STRAUSS
Die Frau ohne Schatten Symphonic Fantasy
Szymanowski
Violin Concerto no. 1
Dvořák
Symphony No. 7 in d minor, Op. 70
nov
Adelaide Town Hall
Adelaide Symphony Orchestra
Natsuko Yoshimoto, violin
Mozart
Symphony No.35 'Haffner'
Bruch
Violin Concerto No.1
Stravinsky
The Firebird: Suite (1945 Version)
Federation Concert Hall, Tasmania
Tasmanian Symphony Orchestra
Anna-Tamara Cislowska, piano
Schumann
Julius CaesarOverture
Kats-Chernin
Piano Concerto No 3
Bach-Webern
Ricercare from a Musical Offering
Mendelssohn
Symphony No 4, Italian
Hamer Hall, Melbourne
Melbourne Symphony Orchestra
Mayu Kishima, violin
Dvořák
The Noon Witch
Shostakovich
Violin Concerto No.1
Beethoven
Symphony No.5
Costa Hall, Geelong
Melbourne Symphony Orchestra
Mayu Kishima, violin
Dvořák
The Noon Witch
Shostakovich
Violin Concerto No.1
Beethoven
Symphony No.5
Hamer Hall, Melbourne
Melbourne Symphony Orchestra
Mayu Kishima, violin
Dvořák
The Noon Witch
Shostakovich
Violin Concerto No.1
Beethoven
Symphony No.5
Perth Concert Hall
West Australian Symphony Orchestra
Ning Feng, violin
PROKOFIEV
Violin Concerto No.2
SHOSTAKOVICH
Symphony No.8
Perth Concert Hall
West Australian Symphony Orchestra
Ning Feng, violin
PROKOFIEV
Violin Concerto No.2
SHOSTAKOVICH
Symphony No.8
dec
Konserthuset, Stockholm
Nobel Prize Concert 2018
Royal Stockholm Philharmonic Orchestra
Lisa Batiashvili, violin
Program
to be announced
Queen's Hall, Edinburgh
Scottish Chamber Orchestra
Benjamin Marquise Gilmore, violin
MENDELSSOHN
Calm Sea and Prosperous Voyage
BACH
Violin Concerto in E
BACH-WEBERN
Ricercare from a Musical Offering
MENDELSSOHN
Symphony No 5 in D ‘Reformation’
City Halls, Glasgow
Scottish Chamber Orchestra
Benjamin Marquise Gilmore, violin
MENDELSSOHN
Calm Sea and Prosperous Voyage
BACH
Violin Concerto in E
BACH-WEBERN
Ricercare from a Musical Offering
MENDELSSOHN
Symphony No 5 in D ‘Reformation’
jan
Music Hall, Cincinnati
Cincinnati Symphony Orchestra
Kirill Gerstein, piano
RACHMANINOFF
Piano Concerto No. 3 in D minor, Op. 30
BRITTEN
Four Sea Interludes, from Peter Grimes
ELGAR
In the South, “Alassio,” Op. 50
Music Hall, Cincinnati
Cincinnati Symphony Orchestra
Kirill Gerstein, piano
RACHMANINOFF
Piano Concerto No. 3 in D minor, Op. 30
BRITTEN
Four Sea Interludes, from Peter Grimes
ELGAR
In the South, “Alassio,” Op. 50
Memorial Hall, North Carolina
North Carolina Symphony Orchestra
MOZART
Symphony No. 40 in g minor, K 550
SHOSTAKOVICH
Symphony No. 10, Op. 93
Memorial Hall, North Carolina
North Carolina Symphony Orchestra
MOZART
Symphony No. 40 in g minor, K 550
SHOSTAKOVICH
Symphony No. 10, Op. 93
Memorial Hall, North Carolina
North Carolina Symphony Orchestra
MOZART
Symphony No. 40 in g minor, K 550
SHOSTAKOVICH
Symphony No. 10, Op. 93
Powell Hall, St. Louis
St. Louis Symphony
Renaud Capuçon, violin
BEETHOVEN
Leonore Overture No. 3
SCHUMANN
Violin Concerto
R. STRAUSS
Symphonic Fantasy from Die Frau ohne Schatten
HINDEMITH
Symphonic Metamorphosis
Powell Hall, St. Louis
St. Louis Symphony
Renaud Capuçon, violin
BEETHOVEN
Leonore Overture No. 3
SCHUMANN
Violin Concerto
R. STRAUSS
Symphonic Fantasy from Die Frau ohne Schatten
HINDEMITH
Symphonic Metamorphosis
Orchestra Hall, Detroit
Detroit Symphony Orchestra
Lise de la Salle, piano
SCHUMANN
Concerto for Piano
SHOSTAKOVICH
Symphony No. 8
Orchestra Hall, Detroit
Detroit Symphony Orchestra
Lise de la Salle, piano
SCHUMANN
Concerto for Piano
SHOSTAKOVICH
Symphony No. 8
feb
Barbican Concert Hall, London
BBC Symphony Orchestra
Thomas Oliemans, baritone
Thomas LARCHER
Alle Tage (UK Premiere)
BEETHOVEN
Symphony No. 7 in A major, Op. 92
L'Auditorium Maurice-Ravel, Lyon
Orchestre National de Lyon
Frank Peter Zimmermann, violon
Richard Wagner
Prélude de Tristan et Isolde
Felix Mendelssohn Bartholdy
Concerto pour violon en mi mineur, op. 64
Piotr Ilyitch Tchaïkovski
Roméo et Juliette, ouverture-fantaisie
SCRIABIN
Le Poème de l'extase
Opera de Dijon
Orchestre National de Lyon
Frank Peter Zimmermann, violon
Richard Wagner
Prélude de Tristan et Isolde
Felix Mendelssohn Bartholdy
Concerto pour violon en mi mineur, op. 64
BERLIOZ
Romeo et Juliette Scène d’amour
Tchaikovski
Romeo et Juliette ouverture-fantaisie
mar
Kimmel Center, Perelman Theater
Opera Philadelphia presents the Curtis Opera Theatre with the Curtis Symphony Orchestra
DON GIOVANNI (fully staged production)
Kimmel Center, Perelman Theater
Opera Philadelphia presents the Curtis Opera Theatre with the Curtis Symphony Orchestra
DON GIOVANNI (fully staged production)
Kimmel Center, Perelman Theater
Opera Philadelphia presents the Curtis Opera Theatre with the Curtis Symphony Orchestra
DON GIOVANNI (fully staged production)
Kimmel Center, Perelman Theater
Opera Philadelphia presents the Curtis Opera Theatre with the Curtis Symphony Orchestra
DON GIOVANNI (fully staged production)
Kölner Philharmonie
Gürzenich Orchester Köln
Nicolas Altstaedt, Violoncello
Wagner
Siegfrieds Tod und Trauermarsch aus Götterdämmerung
SHOSTAKOVICH
Konzert für Violoncello und Orchester Nr. 1 Es-Dur op. 107
BEETHOVEN
Sinfonie Nr.3 in Es-Dur “Eroica”
Kölner Philharmonie
Gürzenich Orchester Köln
Nicolas Altstaedt, Violoncello
Wagner
Siegfrieds Tod und Trauermarsch aus Götterdämmerung
SHOSTAKOVICH
Konzert für Violoncello und Orchester Nr. 1 Es-Dur op. 107
BEETHOVEN
Sinfonie Nr.3 in Es-Dur “Eroica”
Kölner Philharmonie
Gürzenich Orchester Köln
Nicolas Altstaedt, Violoncello
Wagner
Siegfrieds Tod und Trauermarsch aus Götterdämmerung
SHOSTAKOVICH
Konzert für Violoncello und Orchester Nr. 1 Es-Dur op. 107
BEETHOVEN
Sinfonie Nr.3 in Es-Dur “Eroica”
Berliner Philharmonie
Deutsches Sinfonie Orchester
Pekka Kuusisto, violin
Dvořák
The Noon Witch
Ligeti
Violinkonzert
Bartók
Concerto for orchestra
apr
Stockholm Berwaldhalle
Swedish Radio Orchestra
BRITTEN
Sinfonia da Requiem
BEETHOVEN
Symphony No. 7 in A major, Op. 92
Stockholm Berwaldhalle
Swedish Radio Orchestra
BRITTEN
Sinfonia da Requiem
BEETHOVEN
Symphony No. 7 in A major, Op. 92
Sage Gateshead, Newcastle, England
Royal Northern Sinfonia
Chorus of the Royal Northern Sinfonia
Karen Gomyo, violin
Beethoven
Leonore Overture No.3
Mendelssohn
Violin Concerto in e minor
Cherubini
Requiem
Robert E. Jacoby Symphony Hall, Jacksonville
Jacksonville Symphony
BEETHOVEN
Leonore Overture No. 3
BARTOK
Miraculous Mandarin Suite
MOZART
Symphony No. 41 in C major, Op. 551 “Jupiter”
Robert E. Jacoby Symphony Hall, Jacksonville
Jacksonville Symphony
BEETHOVEN
Leonore Overture No. 3
BARTOK
Miraculous Mandarin Suite
MOZART
Symphony No. 41 in C major, Op. 551 “Jupiter”
Robert E. Jacoby Symphony Hall, Jacksonville
Jacksonville Symphony
BEETHOVEN
Leonore Overture No. 3
BARTOK
Miraculous Mandarin Suite
MOZART
Symphony No. 41 in C major, Op. 551 “Jupiter”
may
Meyerson Symphony Center, Dallas
Dallas Symphony Orchestra
Daniel Müller-Schott, cello
ELGAR
Sursum Corda
BEETHOVEN
Symphony No. 4
SCHUMANN
Cello Concerto
ELGAR
In the South (Alassio)
Meyerson Symphony Center, Dallas
Dallas Symphony Orchestra
Daniel Müller-Schott, cello
ELGAR
Sursum Corda
BEETHOVEN
Symphony No. 4
SCHUMANN
Cello Concerto
ELGAR
In the South (Alassio)
Meyerson Symphony Center, Dallas
Dallas Symphony Orchestra
Daniel Müller-Schott, cello
ELGAR
Sursum Corda
BEETHOVEN
Symphony No. 4
SCHUMANN
Cello Concerto
ELGAR
In the South (Alassio)
Meyerson Symphony Center, Dallas
Dallas Symphony Orchestra
Daniel Müller-Schott, cello
ELGAR
Sursum Corda
BEETHOVEN
Symphony No. 4
SCHUMANN
Cello Concerto
ELGAR
In the South (Alassio)
Maison symphonique de Montréal
Orchestre Symphonique de Montréal
Daniil Trifonov, piano
WAGNER
Prelude & Liebestod from Tristan und Isolde
LUTOSLAWSKI
Concerto for Orchestra
RACHMANINOFF
Piano Concerto No. 3 in D minor, Op. 30
Maison symphonique de Montréal
Orchestre Symphonique de Montréal
Daniil Trifonov, piano
WAGNER
Prelude & Liebestod from Tristan und Isolde
LUTOSLAWSKI
Concerto for Orchestra
RACHMANINOFF
Piano Concerto No. 3 in D minor, Op. 30
Maison symphonique de Montréal
Orchestre Symphonique de Montréal
Daniil Trifonov, piano
WAGNER
Prelude & Liebestod from Tristan und Isolde
LUTOSLAWSKI
Concerto for Orchestra
RACHMANINOFF
Piano Concerto No. 3 in D minor, Op. 30
jun
Dresdner Philharmonie
Dresdner Philharmoniker
Christian Tetzlaff, violin
MESSAIEN
Hymne au Saint Sacrament
SHOSTAKOVICH
Violin Concerto No. 1, Op. 99
STRAVINSKY
Funeral Song, Op 5
SCRIABIN
Le Poème de l’extase
Dresdner Philharmonie
Dresdner Philharmoniker
Christian Tetzlaff, violin
MESSAIEN
Hymne au Saint Sacrament
SHOSTAKOVICH
Violin Concerto No. 1, Op. 99
STRAVINSKY
Funeral Song, Op 5
SCRIABIN
Le Poème de l’extase
about

Karina Canellakis

Conductor, violinist

Chief Conductor, Netherlands Radio Philharmonic (from September 2019)

Karina Canellakis is the newly appointed Chief Conductor of the Netherlands Radio Philharmonic Orchestra in Amsterdam, beginning in the 19/20 season. Winner of the 2016 Sir Georg Solti Conducting Award, Karina Canellakis is internationally acclaimed for her emotionally charged performances, technical command and interpretive depth. She made her European conducting debut in 2015 with the Chamber Orchestra of Europe in Graz, Austria, replacing the late Nikolaus Harnoncourt, returning the following June to conduct Concentus Musicus Wien in four symphonies of a Beethoven Cycle. She first made headlines in 2014 filling in at the last-minute for Jaap van Zweden in Shostakovich Symphony No. 8 with the Dallas Symphony Orchestra, where she held the position of Assistant Conductor for two seasons.

Ms. Canellakis began the 2017/18 season with her debut at the BBC Proms in London with the BBC Symphony Orchestra and a return to the Zurich Opera to conduct Mozart’s Die Zauberflöte. Notable debuts this season include the Orchestre de Paris, Rundfunk-Sinfonieorchester Berlin, Gürzenich Orchestra Cologne, Bamberger Symphoniker, National Orchestra of Spain, Netherlands Radio Philharmonic, the Hallé Orchestra and Seattle Symphony; alongside re-invitations to the Royal Stockholm Philharmonic, Swedish Radio Orchestra, Danish National Orchestra, Scottish Chamber Orchestra, Los Angeles Chamber Orchestra and Vancouver Symphony.

In summer 2018, Karina Canellakis returns to the London Proms with the BBC Symphony and makes her Wiener Symphoniker debut at the Bregenz Festival. She later returns to the Los Angeles Philharmonic for a concert at the Hollywood Bowl in September.

In Europe next season she will conduct the prestigious Nobel Prize concert with the Stockholm Philharmonic, and debut with the London Philharmonic, Oslo Philharmonic and Deutsches Sinfonie-Orchester Berlin, among others; while in North America she makes debuts with the Orchestre Symphonique de Montréal and the St. Louis Symphony. She will also undertake a four-city tour of Australia conducting the symphony orchestras of Melbourne, Perth, Adelaide, and Tasmania.

Last season, Ms. Canellakis made debuts with the City of Birmingham Symphony Orchestra, Royal Scottish National Orchestra, Orchestre National de Lyon, and Toronto and Milwaukee Symphony Orchestras. She conducted the world premiere of David Lang’s new opera The Loser at the Brooklyn Academy of Music (BAM), Peter Maxwell Davies’ new opera The Hogboon with the Luxembourg Philharmonic, and a fully staged production of Verdi’s Requiem at the Zurich Opera.

Previous seasons have featured orchestral debuts with the Hong Kong Philharmonic, Cincinnati, Detroit, Houston and San Diego Symphony Orchestras, and at the Mostly Mozart Festival in New York leading the International Contemporary Ensemble (ICE). In 2016 Ms. Canellakis conducted Mozart’s Le Nozze di Figaro with the Curtis Opera Theatre at the Kimmel Center in Philadelphia.

Already known to many in the classical music world for her virtuoso violin playing, Ms. Canellakis was initially encouraged to pursue conducting by Sir Simon Rattle while she was playing regularly in the Berlin Philharmonic for two years as a member of their Orchester-Akademie. In addition to appearing frequently as soloist with various North American orchestras, she subsequently played regularly in the Chicago Symphony for over three years, and appeared on several occasions as guest concertmaster of the Bergen Philharmonic in Norway. She also spent many summers performing at the Marlboro Music Festival. She plays a 1782 Mantegazza violin on generous loan from a private patron.

Ms. Canellakis is a graduate of the Curtis Institute of Music and the Juilliard School. Her other major mentors have been Alan Gilbert and Fabio Luisi. She was born and raised in New York City and speaks French, German and Italian

Karina Canellakis

Dirigentin

Chefdirigentin, Radio Filharmonisch Orkest (von September 2019)

Karina Canellakis, die Gewinnerin des Dirigentenwettbewerbs Sir Georg Solti 2016, wird international für ihre emotional aufgeladenen Auftritte, ihre technischen Fähigkeiten und ihre eindrückliche Tiefe gelobt. 2015 gab sie ihr Debüt in Europa gemeinsam mit dem Chamber Orchestra of Europe in Graz, als sie kurzfristig Nikolaous Harnoncourt ersetzte. Im Juni des folgenden Jahres kehrte sie zurück, um den Concentus Musicus Wien in vier Sinfonien eines Beethoven-Zyklus zu leiten. Erstmals machte Canellakis bereits 2014 Schlagzeilen, als sie bei einer Aufführung von Schostakowitschs Sinfonie Nr. 8 mit dem Dallas Symphony Orchestra, wo sie zwei Jahre lang als Assistenz-Dirigentin tätig war, in letzter Minute für Jaap van Zweden einsprang.

Canellakis beginnt die Saison 2017/18 mit ihrem ersten Auftritt bei den BBC Proms in London zusammen mit dem BBC Symphony Orchestra und ihrer Rückkehr zum Opernhaus Zürich, wo sie Mozarts «Die Zauberflöte» leiten wird. Darüber hinaus gibt sie ihre Debüts z.B. beim Orchestre de Paris, bei den Wiener Symphonikern, beim Rundfunk-Sinfonieorchester Berlin, beim Gürzenich-Orchester Köln, bei den Bambergern Symphonikern, beim Orquesta Nacional de Espana, beim Radio Filharmonisch Orkest, beim britischen Hallé Orchestra und beim Seattle Symphony. Dazu kommen Wiedereinladungen des Kungliga Filharmoniska Orkestern, des Sveriges Radios Symphoniorkester, des DR Symphoni Orkestret, dem Scottish Chamber Orchestra, dem Los Angeles Chamber Orchestra und der Vancouver Symphony.

In der letzten Saison gab die Amerikanerin ihr Debüt beim Hollywood Bowl mit dem Los Angeles Philharmonic, City of Birmingham Symphony Orchestra, Royal Scottish National Orchestra, Orchestre National de Lyon und bei den Sinfonieorchestern Toronto und Milwaukee. Sie dirigierte die Uraufführung von David Langs neuer Oper «The Loser» an der Brooklyn Academy of Music, Peter Maxwell Davies’ neuer Oper «The Hogboon» mit dem Orchestre Philharmonique du Luxembourg und eine Bühnenproduktion von Giuseppe Verdis «Requiem» am Opernhaus Zürich.

Zuvor debütierte Karina Canellakis beim Hong Kong Philharmonic und den Sinfonieorchestern in Cincinnati, Detroit, Houston und San Diego sowie beim Mostly Mozart Festival in New York mit dem International Contemporary Ensemble. 2016 dirigierte sie Mozarts «Le nozze di Figaro» mit dem Curtis Opera Theatre im Kimmel Center Philadelphia.

Karina Canellakis machte sich zunächst für ihr virtuoses Geigenspiel einen Namen in der Klassikwelt und wurde von Sir Simon Rattle auch zum Dirigieren gebracht, als sie zwei Jahre lang Mitglied der Orchester-Akademie der Berliner Philharmoniker war. Als Solistin an der Violine trat sie mit nordamerikanischen Orchestern auf, spielte drei Jahre lang regelmäßig mit der Chicago Symphony und war mehrfach Gast-Konzertmeisterin beim Philharmonischen Orchester der Stadt Bergen in Norwegen. Zudem gastierte sie häufig beim Marlboro Music Festival. Sie spielt eine Violine von Mantegazza aus dem Jahr 1782, die ihr als großzügige Leihgabe aus Privatbesitz zur Verfügung gestellt wird.

Karina Canellakis ist Absolventin des Curtis Institute of Music und der Juilliard School in New York. Weitere Mentoren waren Alan Gilbert und Fabio Luisi.

press
“Canellakis’ high-wire act was a dare. The players were kept on the edge of their seats. Something could have derailed it at any moment. Nothing did. It was great.”
LA Times, Mark Swed
April 24, 2018
“Canellakis did a remarkable job of finding the lyrical radiance and ebb-and-flow of the opening movement (Brahms 3rd symphony with the Vancouver Symphony), putting it together with coherence, beautifully shaped string lines and the needed dramatic force. This was all about beauty and poetry. It is inspiring to see a young conductor exhibiting so much craft and thought – and so much love of the music”
Seen and Heard International, Geoffrey Newman
April 14, 2018
“In Dvorak’s Symphony No. 7 (National Arts Center Orchestra, Ottawa), Canellakis delivered passion and pathos. The opening movement was weighty with brooding stoicism, carried on the glowing gravitas of Larry Vine’s horn solos. The second movement was expressed with the tenderest affection and blue-sky calm; the Scherzo was gracefully articulated, nimble in its refined rusticism. The robust finale was propelled by an almost operatic sense of drama and fatalism; Canellakis allowing the tension to steam along irresistibly until the implacable end.”
Artsfile, Natasha Gautie
January 11, 2018
“Karina Canellakis led the orchestra in a fierce and full-blooded reading of one of the canon’s great Romantic symphonies…”
Paul Kosidowski, Milwaukee Magazine
November 10, 2017
“Those big moments were insistent and regal, standing in thrilling contrast to the symphony’s most touching, tender melodies.”
Elaine Schmidt, journal sentinel
November 10, 2017
“Canellakis’s Dvořák was high, lucid and bright from start to finish.”
David Nice, theartsdesk.com
September 6, 2017
“Für diese großartige Beethoven-Interpretation dankte das Publikum mit anhaltenden Beifallsstürmen.”
Michael Baumgartl, svz.de
September 3, 2017
“A rising conductor makes an impressive L.A. Phil debut at the Bowl”
Richard S. Ginell, Los Angeles Times
August 9, 2017
“Spectacular Rachmaninoff from Karina Canellakis and the CBSO”
John Quinn, Seen and Heard International
May 17, 2017
“Canellakis captured the intense feeling at the heart of the music.”
Paul Kosidowski, Milwaukee Magazine
March 14, 2017
“Canellakis and the orchestra moved with absolute conviction from atmospheric sounds and cloudy harmonies to direct, simple statements, giving a taut, crisp performance, making sections of it fairly crackle with musical energy and tension”
Elaine Schmidt, USA Today Milwaukee Journal-Sentinel
March 10, 2017
“Dirigentinnen-Neuentdeckung: Karina Canellakis”
Crescendo Magazine, Michael Sellger
February 22, 2017
“Meet the Maestro: Karina Canellakis”
Toby Deller, Rhinegold, Classical Music Magazine
February 15, 2017
“The dynamic young conductor Karina Canellakis made an indelible impression on a packed audience at Sage Gateshead”
Gavin Engelbrecht, The Northern Echo
February 6, 2017
“Though expressive and engaged, she is disinclined to play to the gallery. Intentions are clear, with no histrionics or fuss. And the results speak for themselves.”
David Gordon Duke, Vancouver Sun
October 16, 2016
“Dirigentin Karina Canellakis zeigte bei der Styriarte in Ludwig van Beethovens 2. und 7. Symphonie viel Kraft und starke Kontraste.”
Eva Schulz, Kleine Zeitung
June 28, 2016
“With gestures clear yet expressive, Canellakis realized every emotional import, managing every transition with assurance, building climaxes with inevitability.”
Scott Cantrell, The Dallas Morning News
February 4, 2016
media
© Mathias Bothor
© Mathias Bothor
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© Werner Kmetitsch, Stefaniensaal, Graz
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© Cheung Wai Lok, Hong Kong Philharmonic Orchestra
© Cheung Wai Lok, Hong Kong Philharmonic Orchestra
© Chris Christodoulou
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© Daniel Bracker
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