UPCOMING

Netherlands Radio Philharmonic Orchestra
Concertgebouw, Amsterdam
Cédric Tiberghien, piano
More Information
Conductor
karina
Canellakis
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upcoming
24
May
Netherlands Radio Philharmonic Orchestra
Concertgebouw, Amsterdam
Cédric Tiberghien, piano
TAWFIQ
New work (world premiere)
RAVEL
Piano Concerto
BARTÓK
The Wooden Prince
13
June
Netherlands Radio Philharmonic Orchestra
TivoliVredenburg, Utrecht
Karen Cargill, mezzo-soprano
Sebastian Kohlhepp, tenor
Roderick Williams, bass-baritone
Netherlands Radio Choir
ELGAR
The Dream of Gerontius
4
July
Tokyo Metropolitan Symphony Orchestra
Suntory Hall, Tokyo
Alice Sara Ott, piano
RAVEL
Piano Concerto
MAHLER
Symphony No. 1
Featured Recording

Bartók
Duke Bluebeard's Castle

Rinat Shaham, mezzo-soprano
Gábor Bretz, bass-baritone
Netherlands Radio Philharmonic Orchestra

Release Date
April 4, 2025
(c) BR / Astrid Ackermann
Karina Canellakis conducts the BRSO
On May 1 and 2, 2025, Karina Canellakis returns to the Bavarian Radio Symphony Orchestra for two concerts at Munich’s Herkulessaal. The evening begins with Saariaho’s "Lumière et pesanteur", followed by Ravel’s vibrant Piano Concerto in G major, performed by Alice Sara Ott. After the intermission, Canellakis leads Sibelius’s rarely heard Lemminkäinen Suite — a four-movement tone poem based on stories from the Finnish national epic, the Kalevala.
New Release: “Duke Bluebeard’s Castle” Available Now
The Netherlands Radio Philharmonic Orchestra and its chief conductor Karina Canellakis continue their Bartók journey with the composer’s only opera, Duke Bluebeard’s Castle, starring mezzo-soprano Rinat Shaham (Judith) and bass- baritone Gábor Bretz (Bluebeard). One man, one woman, and a dark castle with seven mysterious doors are all it takes to create a psychological thriller full of suspense and intense emotion. Karina Canellakis and the Netherlands Radio Philharmonic Orchestra received a Grammy nomination for their recording of Bartók’s Concerto for Orchestra and 4 Orchestral Pieces, which BBC Music Magazine praised as “enticing and brilliantly engineered”, while Gramophone lauded how orchestra and conductor “paint the soundscapes with both finesse and fire.” For Canellakis, Bartók’s opera recorded here is “an homage to life itself, to life’.
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