Karina Canellakis

Karina Canellakis returned to the New York Philharmonic for three concerts in February. The program featured Saariaho "Lumière et pesanteur", Berg Violin Concerto with soloist Veronika Eberle, Messiaen "Les Offrandes oubliées" and Debussy "La Mer". Zachary Woolfe writes about the first night's concert in the New York Times: "The players didn’t seem like they wanted these moments to end as soon as possible; they reveled in them. That attests, of course, to the musicians themselves — and, perhaps, to their continued acclimation to the renovated Geffen Hall, in which even the most fragile sounds register clearly. But it also speaks to Canellakis’s leadership on the podium. Throughout the concert, she elicited playing of poise and patience, inspiring the ensemble to relax into phrases — which gave the music more organic energy than pressing relentlessly forward would have. For all the bits of breathtaking stillness in the performance, there were also forceful climaxes, but Canellakis arrived at them with naturalness. At the end of the first section of “La Mer,” the volume swiftly swells from pianissimo to fortissimo. While some performances land flat on the loudness, she drew out the speed ever so slightly, making the rise in dynamics feel like a thrilling wave rather than an abrupt boom." Photo: Chris Lee

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Privacy Policy

Effective date: July 26, 2018

Karina Canellakis (“us”, “we”, or “our”) operates the karinacanellakis.com website (the “Service”).

This page informs you of our policies regarding the collection, use, and disclosure of personal data when you use our Service and the choices you have associated with that data.

We use your data to provide and improve the Service. By using the Service, you agree to the collection and use of information in accordance with this policy. Unless otherwise defined in this Privacy Policy, terms used in this Privacy Policy have the same meanings as in our Terms and Conditions, accessible from karinacanellakis.com

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By email:

ljiang@opus3artists.com
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